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What are the three basic components of dance ?
The main three components are -
1. Natya : It represents dramatic form of dance e.g. Kathakali (Today's Rarely use this form of dance).
2. Nritya : It is essentially expressional, performed especially to convey the meaning of a theme or ideas.
3. Nritta : It is pure dance where body movements do not express any mood (Bhava), not do they convey any meaning.
Note : To perform Natya and Nritya, a dancer should be know about Navarasas.
Navarasas are -
love (Shringasra),
mirth (haasya),
compassion (Karuna),
valour (Veera),
anger (roudra),
fear (bhayanak),
disgust (bibhatsa),
wonder (adbhuta) and
peace (Shanta).
What are the basic styles of Classical dance ?
According to Natyashastra, there are two basic styles of Indian classical dance -
1. Lasya : It denotes soft, lyrical and graceful in feminine features of dance as an art form.
2. Tandava : It is masculine - heroic bold and vigorous.
8 Classical Dances of India :
Presently, under Sangeet Natak Academy, there are 8 Classical Dance forms in India. They are -
Sr. No. | Classical Dances of India | Region (Origin) |
---|---|---|
1. | Bharatnatyam | Tamil Nadu |
2. | Kuchipudi | Andhra Pradesh |
3. | Kathakali | Kerala |
4. | Mohiniattam | Kerala |
5. | Odissi | Odisha |
6. | Kathak | Uttar Pradesh |
7. | Sattriya | Assam |
8. | Manipuri | Manipur |
1. Bharatnatyam :
Its name derived from Bharat Muni and 'natyam' which means dance in Tamil.
Origin : Bharatnatyam of Tamil Nadu in Southern India.
Features :
• Initially it was performed in temples by female solo dancer and earlier was known as Sadir or Dasiattam.
• Today, it is also performed by male dancer at home and abroad.
• It is based on a wide range spanning human and divine love.
Theme : Romantic love and Bhakti (devotion)
Music : Carnatic Music
Instruments : At least one vocalist, a Mridangam (drum) player, a flutist or violinist or Veena (lute) player.
2. Kuchipudi :
Its name derived from the village Kuchelapuram in Andhra Pradesh. The village was nurtured by great scholars and artists who developed dance technique.
Origin : Originated in Andhra Pradesh during the beginning of Bhakti movement in the 7th Century AD.
Features :
• Originally performed by group of person from village to village but today it's performed either as a Solo, Duet or a group presentation.
• Dynamic movement of body and expression of feeling.
Theme : Stories of Bhagavat Purana (it has Secular theme)
Music : Carnatic Music
Instrument : Violin and Mridangam, etc.
3. Kathakali :
Kathakali means 'Story Play' in Kerala.
Origin : It Originated in Kerala in Southern India in the 17th Century AD.
Features :
• It is performed by male troupe in open air theatres.
• Kathakali represent story of the eternal conflict between good and evil.
Theme : Story of Ramayana and Mahabharata (Conflict between Good and Evil).
Music : Carnatic music
Instruments : Mridangam (Drumming)
4. Mohiniattam :
Mohiniattam or the Dance of an Enchantress (Mohini means beautiful woman and attam means dance) is especially a solo dance performed by beautiful woman in Kerala's temples.
Origin : Originated in Kerala in Southern India
Features :
• It is performed by Female Solo Dancer.
• Mohiniattam uses rhythms in dance.
• The dancer's body rises and falls with an easy grace.
Theme : Story of the feminine dance of Vishnu
Music : Carnatic music
Instruments : Mridangam, Veena, flute, etc.
5. Odissi :
It's name derived from the 'Odra nritya' mentioned in Natyashastra.
Origin : Originated in Odisha in Eastern India.
Features :
• It was performed as part of temple service by 'maharis' or female temple servants.
• Today it's spread across the country and performed by male and female both.
• The movements are soft and graceful.
Theme : The Vaishnava faith of Odisha is intrinsic in Odissi dance and the lore of Krishna and and Radha supplies its content.
Music : Hindustani Classical Music
Instruments : Manjira (Cymbals), Pakhwaj (Drums), Sitar, Flute, etc.
6. Manipuri :
Its very popular temple dance of Manipur.
Origin : Manipuri dance, evolved in Manipur in North-Eastern India
Features :
• Generally Performed by female dancer.
• The artist never established eye contact with the audience.
• The movements are circular and continuous, each merging into the other.
• The legs are bent and knees held close together.
Theme : Central Theme - devotion to Radha-Krishna (Vaishnava).
Instruments : Drum, flute, dhols, etc.
7. Kathak :
Kathak derived its name from the 'Kathika' or the 'Story tellers' in North India.
Origin : Its origin of Ras Leela of Brajbhoomi in Uttar Pradesh in Northern India.
Features :
• It is performed by female dancer.
• Kathak is dance of rhythm play.
• Its developed in different Gharanas - Lucknow, Jaipur, Raigarh and Banaras Gharanas.
Theme : Love and devotion to Lord Krishna
Music : Hindustani Classical Music
Instruments : Tabla, Pakhwaj, Sarangi, etc.
8. Sattriya :
Its name derived from the Vaishnava monasteries known as 'Sattras'. It is mentioned in Natyashastra of Bharat Muni.
Origin : Sattriya dance in modern-form was introduced by the Vaishnava Saint Sankara Deva in the 15th Century AD in Assam in Northeastern India.
Features :
• Generally performed in group by male monks known as Bhokots.
• Its amalgamation of various dance forms of Assam.
• It follow the rule of hand gestures and footwork, movements and expression.
Theme : Devotion to Krishna
Instruments : Khol (Drum), Manjira, flute, etc.
Note : Presently, Sangeet Natak Academy has recognised 8 Classical Dance forms whereas the Ministry of Culture has recognised 9 Classical Dance forms including Chhau.
*Chhau :
Chau dance of Odisha, Jharkhand and West Bengal in Eastern India.
Features :
• it is blend of martial traditions, temple rituals and folk.
• It is based on Mahabharata, Ramayana, Puranas, traditional folklore, etc.
• Its celebrate during harvesting season (Chaitra month or advent of spring).
Music : Hindustani Classical Music
Instruments : Shop, Nagada, Jhanj, Chadchadi, etc.
Also Read : Classical Languages of India
References
CCRT
GoI
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